“The Sisters Brothers,” Directed by Jacques Audiard. 121 minutes
There’s some really terrific shooting scenes in this movie. It takes place in 1851, and the two cold-blooded professional murderers who are the heroes of this film do not have the traditional movie gun, the Colt 45 Peacemaker. The ones they have throw sparks and nasty sounds as well as lead. I don’t think I’ve ever seen better shootout scenes.
There’s a Dallas Angle: La Réunion
Another good thing about the movie, something that makes it more authentic to me, is the central idea of something that was going on in Dallas, Texas, during the period. One guy, and only one guy because everybody else in the movie is a cold blooded murderer, has a dream of going to Dallas and joining a socialist colony there. What makes it so authentic is that there really was a socialist colony forming right outside Dallas in the early 1850s. Wikipedia tells the story very well, even though they are a little too definitive about the dates when it started and when it ended.
The one man with his socialistic dream gives contrast to some of the characters and, to a small extent, tends to humanize others.
More Good Things
One could not ask for better actors than Joaquin Phonenix and John C. Reilly. One could not ask for more interesting scenes of horses running across rough western terrain. Some of the dialogue was outstanding.
On the Downside
We appreciated the effort to make an authentic western, but my movie buddy and I didn’t really like “The Sisters Brothers.” I think the problem was explained in a radio interview where the main star, John C. Reilly, explains that it was a labor of love. Apparently, they loved every scrap of film so much that they couldn’t cut anything out. They left everything in — every unrelated, going nowhere, irrelevant detail.
The result is a meandering movie with plot lines and asides going higher and thither. If they had tightened it up and put it into focus, it might have been a horse opera of worth.