“Stateless” streaming on Netflix. The first three episodes are directed by Emma Freeman; the other three by Jocelyn Moorhouse.
Please don’t miss this great Australian series.
The series examines what happens to the lives of those associated with an immigrant detention center that is operated for profit. This one is in Australia, where they unfailingly make great dramas, but the ones in the Rio Grande Valley are also run for profit.
Two of the main characters are inmates: an Afghani trying to save his daughters from the Taliban and an Australian citizen who is trying to hide her identity. The other two administrate the place: an immigration specialist and an ordinary working dude trying out a new job as a prison guard. The place works its wonders on them. Even more, the world system that creates 70 million dislocated asylum seekers and then mistreats them miserably works its wonders on us, the audience.
Part of the story, Wikipedia says, is directly true. All of it sounds true, seems true, hurts truly.
A word about the quality of the presentation: the penetrating insight into every character could only have been revealed by women. Both directors and both writers were women. Their sensitivity is a marvel.
By way of explaining how good the acting is, let me ask you if you’ve ever seen a Cate Blanchett picture where her acting didn’t overshadow everybody else? Cate Blanchett is very good in “Stateless,” but her role is limited. She is listed as one of several Executive Directors. If you’re a fan of Australian TV, let me ask if you’ve ever seen Marta Dusseldorp in anything in which her skill didn’t dominate everybody else? In this series, Ms Dusseldorp and Ms Blanchett are just part of a wonderful ensemble of players. Everybody is excellent. The actors for the four main characters are beyond excellent.
Top acting kudos has to go to Yvonne Strahovski. Her role is the most demanding, and she pushes each of her emotional portrayals beyond limits. After the first few scenes, you may recognize her as the cold hearted Commander’s wife in “The Handmaid’s Tale,” or maybe you won’t recognize her, but you won’t forget her again after you see her in “Stateless!”
The Australian immigration/detention system takes a beating in “Stateless,” but several characters, including some administrators, give the impression that they are doing the best that they can in a rotten situation. At least they are trying. My movie buddy and I agreed, several times as we watched the series over a few nights, that the worst of the miseries “Stateless” encountered must be far worse here at home in the United States, where what they are trying to do with the immigration situation isn’t just rotten.
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