Movie Review: “Sweet Country,” Directed by Warwick Thornton. 113 minutes
My movie buddy and I are suckers for anything Australian. I think it’s the way they subsidize their movies that gives them such an intelligent edge. This one is more of a character study and an exposition than a story, even though there’s more than enough action.
The movie claims to be based on actual events in 1929. An indigenous man kills an Anglo, then goes on the run. Moviegoers may have seen wyly outlaws evade posses and madmen dying in salt deserts before, but seldom told with this much plain grit.
The indigenous characters are largely inarticulate and given to local idioms. The film has to use subtitles for some of their dialogue. There is a lot of symbolism that is open to interpretation, but one theme is clear throughout: racism. Like any story revolving around racism then as now, those dancing around the theme included the decent, the indecent, and the willfully ignorant.
The chase through the outback gives the filmmakers and the moviewatchers wonderful opportunities for vista viewing. The old John Ford westerns have absolutely nothing on this Australian cowboy movie.
But it’s the characters that matter. Moviewatchers get a solid inside look at these realistic settlers and their near-slave employees. Degradation and inspiration are there in handfuls. Warwick Thornton and his Australian team have made us a gratifying movie that is to be taken seriously and thoroughly enjoyed. The price of a ticket seems hardly enough to repay them.