“Green Book,” Directed by Peter Farrelly, 2 hours, 10 minutes
The Green Book is an important part of American history. It was used to help African-American motorists locate the few places where they might rest. I think that one reason that “Green Book” has continued to sell tickets over several weeks is that people are slow in finding out what it’s about.
There are a lot more good reasons to see the film. Acting by the two main characters is outstanding. Viggo Mortensen plays a street smart nightclub bouncer from New York, while Mahershala Ali plays a delicate Leningrad-trained classical musician. Both are up for Golden Globes awards. The movie is up for best picture, and Oscar-buzz has already begun. The 1960s music is wonderful. The pacing is so good that viewers go beyond ignoring the extra length and wish it could go on longer. There are four, count ’em four, union logos in the final frame!
Few movies can claim so much authenticity. It seems to be strung together by family stories from Mortensen’s character, Tony “Lip” Vallelonga. Someone named Nick Vallelonga gets some of the screenplay and producer credit.
Tony Lip apparently drove a sensitive Black musician through a tour of the Deep South in 1962. His main qualification for the job came from his experience as a tough guy. Tony was required to stay in all-white motels, while his employer had to use the Green Book. It isn’t hard to imagine some of the problems they encountered, but you have to see the movie to realize how well this period, these problems, and these two wonderful characters can be brought to life! If your tastes run toward American history, civil rights, or just great film-making, you don’t want to miss Green Book.